Note 5: It was in the premises on Nørrebrogade that a editing room was also set up, where Svend Methling's assistant, Henning Ørnbak, sat and raw-edited the film, as the working copy came back from development and copying at UFA's laboratories in Berlin. It was then Methling who fine-edited the recordings, still assisted by Ørnbak. The latter also assisted Edith Schlüssel, who from 1934 had been employed as chief editor at Palladium, and it was in this capacity that she for a time acted as a negative editor on the cartoon "Fyrtøjet". Later, Henning Ørnbak himself was responsible for the organization of i.a. the Swedish version of "Fyrtøjet" (1951), and later also of the French and English versions of the film, which, however, took place in the capitals of the respective countries. Edith Schlüssel started at Elfelt in 1917, then came to Nordisk Film and later Palladium, where she was chief editor from 1934 until at least 1967. She has also been in charge of the negative editing of a long, long series of Danish feature films during the above mentioned periods.